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Pete talks about
the lyrics:
The higher the high, the greater the corresponding low: at least that
is the way it seems to me in retrospect. My time spent in the late-seventies
punk scene was some of the most fun times I have ever had, and some of
the lowest. The main character in this song is either wondering about
the source of depression in a friend or lover
or perhaps pondering
their own.
Stephan talks about
the music:
Peter wrote this one. I only contributed the middle part for the crazy
guitar solos after it was sped up - it was originally a slow song and
completely recorded, ready for mixing when we decided to redo it. My only
story for this song is the challenge I enjoy when writing parts. This
one needed a bridge and I remember Peter saying; "Write something
for next week" - no "please, may you
" or any social
conventions that typically accompany working relations. But, I like these
challenges and I think Peter knows this too. I thought about different
changes, but this time I literally waited until minutes before the practice
to work out a loose arrangement. This was when I suspected that my band
mates suspected I pull things out of my ass-hat at the very last minute.
They are right, but it is the best way for me to write: Think about the
song in my head. Add a little bit of pressure with a deadline and then
decipher the last minute.
Peter Adds:
I picked up some Bass string chords (ala Freddy Green) from Mel Bay's
Complete Jazz Guitar Method and came up with this song. The original inspiration
was Chet Baker doing Elvis Costello's song "Almost Blue". I
wanted my song to be a slow burner also, but songs often end up taking
on a life of their own. We sped the song up and Ted came up with a killer
drumbeat.
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